Script readers (and how to use script notes even if they hurt)
Est. read-time: 2 mins.
“Script notes may not accurately describe how to improve your script, but they will almost consistently point to where the problems are.”
~ Scriptwriting 101
I picked this gem of wisdom up at some point on my writing journey, and I love it. Why? Because you’re the boss when it comes to your work. The script reader’s job isn’t to fix your script. It’s to point to things. To highlight where something isn’t quite landing. To ask the questions that help you find the answers.
Like I said on my blog post, “What is a dramaturg? And why you don’t need a map until you’re lost.” A script reader is vitally useful to you because they are going to raise the questions that an audience will of your script.
It’s easy to think that getting notes on a script is about handing over your art and waiting for someone to say, “fix this, or sort that”. Framed like that, a script reader is not very useful, and they might end up giving you notes that really hurt. Especially if you’re care deeply or are close to the work.
Instead, consider them as a valuable early audience. And believe me, you would much rather they asked the questions of your work now than when it’s in front of an audience (or even worse a reviewer).
And the truth is, a script reader is going to tell you what you already know. If your story isn’t mapping well, if your characters aren’t facing the conflicts they need to, or if you’ve rushed because you wanted to get the goddamn thing finished (been there, written that terrible draft!). A good script reader will be able to point out that for you. And you may hate them, but it’s all for the good of your work baby.
Is it worth paying a script reader or seek out script notes on your play or screenplay?
Yes. Because an outside eye raising questions of your script is invaluable. Few writers can see the solutions from within the problem. Collaboration is the oxygen of creativity, for godssake let someone breathe some life into the work.
Should you enter that script to that competition deadline even though you don’t know if it’s ready?
Yes. If they provide feedback from a reader. Why? First it’s free (don’t enter paid scriptwriting competitions unless you have to, but don’t get me started on that for now!), and second, it’s useful. For all the following reasons.
Ultimately, no one knows the world of your script better than you. You know the underlying logic, the emotional architecture, the rhythm. Notes can’t (and shouldn’t) overwrite that. Instead, use them to help you see it from a different angle. A good script reader becomes a kind of dramaturgical mirror who reflects your work back to you so you can see it and interrogate it more deeply.
When I give notes, that’s the spirit I work in. I’m not interested in handing you a prescription. I’m here to point to things and ask questions. It’s up to you to answer them. And I’ll be there to dive in with you every step of the way.
So if you’re getting notes from a script reader, try approaching them with that in mind. Don’t treat them as instructions. Treat them as signals. Look where they’re pointing. You might disagree with their interpretation, and that’s fine. And ask yourself: why did they trip there? Why did they read it that way? That’s usually where the gold is.
I’m Doug Crossley, I tell stories and I help people tell theirs. I know that choosing the right script consultant is about finding someone you trust to walk beside you. If you’re ready to work with someone who brings warmth, rigour, and creative partnership to the process, explore my script reading and script consulting services and how I support creators and comedians making solo theatre performance. The right collaboration can help your story become what it’s meant to be. Want to discover more? Book in a free call to discuss your project.